released across 2 separately packaged 12s, feeling free could be the closest thing to a summer anthem that soul music has had in quite a while !! hoop , whose soulclap updates of 90s hip-hop classics have garnered praise and plays from all angles, has worked his sample-adelic magic using jazz pianos and horns to bring fresh harmonies to an already musically rich work. coming across like a drum heavy quantic, this mix is one for the beat heads, as is its flip-side partner, which is delivered by natural self , (breakin bread /tru thoughts). as usual his drums are raw, his bass looms large and the authentic live funk feel is kept alive and heavily kicking

cool rework of the huge beloved hit from the 90s

futuro is back with a doubledecker o fclassic detroit influenced technohouse by none other than kim rapatti aka mono junk (styrax/dum) in his melody boy 2000 disguise.when sähkö was starting to release minimal records in early 90s mono junk had allready a few years earlier made an impact in the technoscene with his original detroit techno sound. influenced by the sähkö sound, mono junk released monotone fantastique in 1994 on his dum-records label (dum-014) on a limited 12inch which has become a classic. almost 12 years later and futuro is picking this gem up from kim straight from his master dat tape. newly mastered this shit rocks!b-side features 2 new productions, a perfect way to evaluate the progression of this talented finn. sound steal er is more geared towards the dancefloor, it features deep eerie vocals and machine-alike drum programming while sient mornings is more of an early morning electro crooner

after a long while heres a new release from clairaudience with music provided by label head anthony nicholson aka miquifaya. taking a bit of a departure from anthonys standard deep tribal sounds he seems to go back in time to 90s chicago conjuring sonic images of classic labels prescription and balance. the a side keeps things moving with a grunty scat and grind of the organ while the flip stays straight chuggy with spacey synths and detroit esque strings. a perfect move forward for that deep soulful tech sound dominating of late

starting his musical career at the age of 12, sharooz began playing guitar in punk bands in his native northern ireland during the mid-90s, before beginning to produce dance music and start djing around 1998. his first gigs took the form of live pas, playing alongside the likes of king unique, peace division and inland knights at the legendary smokescreen free parties. soon sharoozs djing profile began to rise, leading to gigs at space and cafe mambo in ibiza, turnmills in london and passion in coalville to name but a few. over the past 7 years sharooz has djed alongside such luminaries as pete tong, marshall jefferson, terry francis and even shaun ryder

the fourth release on anfnotor features yet more top-drawer electronic emissions from cledus snow and aleksandr jurczyk two individuals based in glasgow. their sound is of late nights in clubs and early mornings under the sky with the party scene of glasgow evident in various distinct ways. cledus snow is the latest project from callum campbell, who has risen from the sound of the late 80s and early 90s heavily influenced by machines such as the dx7, and musically by the tones and textures produced by detroit, eindhoven and london. since moving back to glasgow aleksandr has been involved in new musical projects and has started to carve a niche with his unique electronic sound. his latest offering sees him assault the dancefloor with an italo bassline fuelled late night thumper. so far this 12 has received praise from mark bell aka lfo, erwin van moll aka max 404, $tinkworx, kenny larkin and kurt baggaley aka scape one

this time, still with the same >electronic pop< feelings and new waves, lets get back in the 90s! here s the follow up 12 inch inch of the already well known shiny grey. pavle kovacevic and raphael soudre are the two parisian artist discovered by bob sinclar. >heaven can t wait< & >i m a dreamer< comes right after >why< their first single which included a sample of >sweet dreams< by annie lennox and dave stewart

in thrall to all that is brightest and best, highest and indeed lowest and most primal in british youth culture, klaxons see no distinction between celebrating their love of the madness and melodies, the ecstasy and euphoria of early 90s hardcore rave with making some of the brightest, sharpest guitar music around today. the band describe their sound as josef k-meets-baby d with a twinkle in their eye, surely the first to mention those names in the same sentence. >we are about fusing the things we listen to constantly,< says bassist jamie reynolds. >its about accessible pop music. we re trying to take it back by wanting to make a brilliantly overblown pop record!< single of the week in the nme, the video is hammered by mtv2 and snared the band sessions on xfm and radio 1.the remix package is awesome,mentionning the van she remix which is the tool for the cool dj this summer

sleepy hollow was obviously inspired by the movie of the same name. it is one of my favourite pictures by tim burton and i really like the dark, creepy atmosphere of it. the bass-line recreates this mood to an extent that it scares me, makes me shiver. i mean, really! regenerate has such a strong techhouse vibe to it, again reminiscent of the early 90s and a very strong groove. excellent percussion programming and modulation by stephan. this one builds and builds until it completely gets you. personally i think all due respect is the most laidback, reduced track on the album. we came up with this distinctive, monotone melody/bass and i loved the feeling right away. definetely the kind of music that i like to play on a sunday after hour session

ably assisted by vegas new percussion pal luisito quintero master at work louie and the blaze boys complete nine and a half minutes of sublime jazz invested offbeat house joshuas jam has the us house legends at their most esoteric literally jamming for their own pleasure yet still coming up with the goods like a late 90s claussell production the dub mix feels as if it has slightly more bottom end due to numerous occasions where the bass drops out only to return stronger for it

woody transformes it into a classical minimal-tech hymn.the ultra dry start out of the 3 channels mix first lose its way and then found itself back again into a net of confused and languorous deepness..in retrospect to the 90s, elef tsiroudis is a producer of modern dance music. without any crabwise the direct acces is always the dancefloor. warm tranceparts and the reminiscence of an entire party decade, team up to let this remix be an absolutely killertrack..

gez varley gained fame in the early 1990s as the other half of the seminal electronic duo lfo.. gez varley gez left lfo in the mid-90s to concentrate on his solo projects, which stylistically have varied from minimal techno to tech-house. not only recording under his own name, gez has also been behind the artist aliases g-man.. heres gez varleys latest twelve-inch masterpiece with strong detroit presence and some sleeparchive thrown in - however, these are just made for the more advanced dancefloors !!!

first 12inch on the re-launched farside label run by ingo sänger (westpark unit). matt flores follows up his big 12inch for compost s black label, once more he has worked with tyree cooper. bass heavy house in between early 90s house, detroit sounds..

ed gusto green should need no introduction as the man who brought uk dance music one of its biggest hits of the 90s with the still played discos revenge here he takes the well known sample from odyssey going back to my roots but twists it into a minimalist houser on the flip polish producers and remixers wawa thrill dancefloors all over the world and their remixes here are no exception

ultraphat serious retro - sound techno(early 90s, remember la styles james is dead or t99s anastasia) montana re- edit, plus stunning hertz - original!! hot shot

for some time now an mp3 of meanwhile has been played by many djs and received massive response on the 12 inch two great remixes from moussa clarke and alex romano have been included meanwhile is a killer groove and not to be missed

already played by karotte, an exciting 3-track ep. the a-side >cinematique< starts with a dark bass and a special rave-line, which leads you through the whole track. banging claps and sharp hihats makes this track a good choice for ecstatic moments on the dancefloor. the b-side boasts >praymantis<, a track reminiscent of old 808 state tracks, but stripped down to modern and soulful acid house. the second track on the b-sdie is >domina< which rounds up this versatile ep and has this special oldschool house feeling of releases on hibias or from don carlos from the beginning of the 90s. a smart and relaxed journey from clubs peak time to smart afterhour sessions

harddance remake of westbams 90s wizard of the sonic !

house to fat 303 infected tracks with a sweet female vocal something you would expect to be played in the early 90s !!! (sb)

most precious love styled dancefloor gospel tech-house. one of the key club cuts of the 90s ' the pressure' from sound of blackness come with a new mixes by french producer olivier kaiser (kms / yellow) & detroit veteran orlando voorn. and they did it !! basically an anthem from start to finish from one of the best house acts around olivier kaiser & orlando voorn provide a dramatic reworking with a hooky bassline and very distinctive piano riff,which comes in 3 glorious vocal versions. it looks set to be the club anthem of the end of the year

superb single sided rmx of a big underground club hit from the early 90s

big cover version on this vocal houser from the mid 90s in 2 funky slamming floor shaking mixes

what a bassheavy monster from the good glory late 90s french house days!!! a deady floorfilling time tune (fat kojak remix)!!

woody mcbride prod. 90s alike spaced out perc. to harder acid techno

4 tracks of birmingham/industrial/dark influenced mid 90s techno to a club massive near you! not lineal techno.

two monster grooves from his pimp ass studio! a-side cut 'my planet 303' is early 90s acid sounding of highest caliber! wicked! 'pump your body' is inspired by his recent trip to the balearic island of mallorca where he found himself in italodisco frenzy

2 tracks of relooped wildpitch longeivety lifting the tension level to mach 5 and that definitely accomplish his mission: to re-catpure the sound of the early 90s , ooops, taht was propably the time when he played his first live-set at the tender age of 7 ! or is klaus wunderbaum a nickname for one of these 40 something year old german techno/house icons … who know…. at least this record is brand new!

2 more tracks of dancefloor mayhem. give your body starts with a funky acid bassline and snapping drums, building a deep but rockin solid groove of psychedelic keys and spooky vocals for a ultimate 10 minute journey which sounds perfect at 7 in the morningÓ on the flip freestyle man remixes >its a dawgs life< to an early 90s murk versus mauriziopeaktime killer with stabs and filtered rolling synths. hot

the third in the unknown shoe boot leg series brings us 2 tasty breaks cuts. the first p.o.s51 uses some old 90s hardcore tune, turns into a break beat style with added sample from samuel l jackson not to be missed

well genetix is none other then canadian house music legend gene king. from the early days of house gene has been one of the few consistent things in canadian house music. from owning his own label in the early 90s contraband records to holding some pretty big residences in montréal and toronto to now releasing on ultrasound.

90s

40 x 90s hits....

uk trance classix from the 90s !

come together - the whos is who of the legendary indie dance szene in the beginning 90s !

big 90s dance 2cd compilation incl all the eurodance hits !

hot 90s dance pop album incl stadion hymn freed from desire !

hot 90s dance pop album incl stadion hymn freed from desire !

80, 90s remixed in 2022 dance style

(2 x cd digipack) boost your collection and take a trip down memory lane to relive the early 90s with bonzais second foray into the compilation arena - extreme chapter.

for jayda g, joy is a state of mind. whether she transmits it through her upbeat productions or magnetic energy at the decks, the canadian-born dj and producer, real name jayda guy, is a beacon of empathy on the dancefloor. mixed cd

decks cd tipp!!

full-length cd compiling d arcangelo s 1996 rephlex debut ep, together with unreleased archival 90s tracks. an even division of harsh, industrial electronix tracks, and warm, melodic electro/synthpop tracks. tracks 2-7 taken from darcangelo ep (1996 rephlex / 2017 suction records), tracks 8-13 taken from darcangelo ii ep (our new imaginary sequel to the duos classic 1996 debut), 1+14 cd/digital exclusives, previously unreleased)

!k7 are pleased to announce forest swords as the next curator of the ever essential dj-kicks series. following acclaimed albums on ninja tune and tri angle, soundtrack and installation work, and remixes of the likes of bjork, matthew barnes aka forest swords has curated a 25-track compilation that draws a line between past inspirations and his current peers. like much of his own output, his dj-kicks skirts around pristine electronics and embraces more organic textures: 80s post punk (anna domino, dead can dance), classic 90s british electronica (orbital, mira calix), and smokey digi-dub (rhythm & sound), all rub up alongside some of the most forward-facing producers working today (demdike stare, laurel halo, fis). the compilation sifts through rhythms, shifting speeds and emotions: from pop icon neneh cherrys primal thudding to the zombified throb of exclusive forest swords track crow via deena abdelwaheedÕs clattering deconstructions to the euphoric two-step of djrum. its a collection of tracks that feels as restlessly curious and weighty as barnes own work.

oddball space disco/funk tracks, composed between 1970 and 1985. big tip! a master of the mixing board, from the late 60s until the 90s bernard estardy was the wizard of french musical recordings. as head of cbe studios, he shaped everything from gŽrard mansets concept albums to claude franŤois hit singles, franŤoise hardys delicate tear-jerkers and michel sardous soul-stirrers. this giant had his hand in the whole range of mainstream french music by making his studio a veritable playground for experimentation. his legendary album la formule du baron, released in 1969, and the eight lps of production music he made between 1974 and 1978 for tele music are vivid proof. in the cbe studio, which she runs today, his daughter julie estardy discussed his singular career.

in the mid 90s, while playing in bands, max wźrden started to record ideas on 4-track tapes. amongst other instruments the guitar was his favourite. since then the guitar is a steady constant during his sound production. predominantly he utilizes the intrument in experimental ways: he sticks screws and metal pieces between the strings or let s marbles run down the guitar neck, triggering a feedback, which becomes the foundation of a track. on his album momentum he went beyond the guitar, but he placed the intrument into focus of the production. max creates energyladen and experimental ambient music that always aims for what genre listeners looking for: the ultimate relaxation moment. the tracks are carried by slowly building string-generated sounds. live recordings and complex arrangements find a delicate symbiosis of ambient and strings.

answer code requestÕs 2014 debut lp code was an exciting moment for electronic music in berlin Ð one that offered a break from the eternal hall and monolithic 4/4 kicks that ruled the cityÕs club landscape. as a hybrid gesture, the albumÕs spirit recalled an especially fruitful era in the german capital from the mid-90s to early 2000s, when dub and pad- driven detroit techno cross-pollinated with berlinÕs industrial aesthetic to create one of the cityÕs most exciting musical chapters.

suction records is proud to present the 2nd full-length release from rx-101, showcasing a selection of standout cuts from dutch producer erik jong s vast archive of previously-unreleased techno, idm, acid, and electro, recorded to cassette from 1997-1999. as with rx-101 s 2016 debut lp, like yesterday, which was compiled from his 1st two vinyl eps, transmission compiles material from his recent 12-s, ep 3 and ep 4, adding four bonus exclusive tracks. mixing the high-octane, fuzzed out 303 acid techno of ep 3 with the crunchy, melodic electro and idm of ep 4, transmission emerges as a fierce, yet surprisingly cohesive journey into late 90s electronix, and belongs in the collection of any discerning fan of warp records or aphex twin s celebrated 90s catalogs.

the follow up of the acclaimed first volume of this compilation, a real discovery for many djs and music lovers worldwide who didnt know that much about zouk or diy electronic music of the french west indies. the selectors julien achard and nicolas skliris continue the excavation of french antillas vinyl from the 80Õs and the 90s and for this second volume, they found some really exciting new references which should be soon classics on the dancefloors.

spearhead records label boss steve bcee returns with his 4th studio album, and itÕs safe to say that itÕs his best one yet. not just a solo affair, bcee has also drafted in some of the finest vocal and production talent around. with features from two time best d&b vocalist winner riya and d&b legend logistics being just the start. northpoint is bcee at his most diverse. from the early 90s hardocre influenced keep moving on to the jungle roots of hollow eyes this is an album that really showcases how broad the d&b spectrum can be while still keeping to the spearhead ethos of being uplifting musical d&b packed full of heart & soul. bcee said i wanted to make an album packed full of d&b that would work in a club just as well as it would in the car. no fillers, no showcasing how i can produce house or hip-hop or whatever, just pure no nonsense drum & bass. with bceeÕs spearhead presents brand regularly selling out shows at clubs like the legendary egg in kings cross & shoreditchs village underground, plus his growing dj & production schedule and the vanguard project his alias as a duo with fellow d&b produced villem, itÕs safe to say that even though bcee has been in the game for 16 years, heÕs only just getting started. support from friction, mistajam, metrik, technimatic, s.p.y, nu:tone, logistics, london elektricity and a whole load more